Welcome back to The Big To-Do. Sail Boston launches tomorrow, bringing a flotilla of tall ships to the waters around Boston and extending the semiquincentennial fun through Wednesday. Expect phenomenal weekend weather before temperatures start creeping up again. The forecast also calls for lots of sports. Wimbledon wraps up this weekend, with the women’s final tomorrow and the men’s final Sunday. The weekend’s World Cup games will set up next week’s semifinals — France made the cut by dispatching Morocco yesterday in Foxborough — en route to the July 19 final. And three Red Sox will compete in Tuesday’s All-Star Game.

This week’s streaming picks from the Globe’s Matt Juul range from “new adaptations of beloved classics to guilty pleasure reality TV.” The latest One Special Thing is a turn-of-the-21st-century comic strip. And the arts brief section The Rundown includes compelling shows at art galleries near (the South End) and far (Portland).

Movies

The live-action remake of “Moana” earns 2½ stars from Globe film critic Odie Henderson.  As in the 2016 animated feature, Dwayne Johnson plays the demigod Maui, opposite newcomer Catherine Lagaʻaia in the title role. But “I say the same thing every time I review one of these remakes,” writes Henderson. “Even serviceable ones like ‘Moana’ can’t hide that they’re cynical cash grabs powered by fan service.”

Mark Jenkin’s projects, including “Rose of Nevada,” “play best for film wonks and discerning indie movie audiences looking for a challenge.”  The Rose of Nevada is a time-traveling fishing boat that vanishes from and reappears in Cornwall, England, and the result “feels like a stretched-out episode of ‘The Twilight Zone,’” Henderson writes in a 3-star review. “Still, I have to admire ... how Jenkin toys with the audience’s mind.”

“Gail Daughtry and the Celebrity Sex Pass” finds a Kansas hairdresser in Hollywood, hunting Jon Hamm for the pre-wedding tryst of the title.  As Gail, Henderson writes, Zoey Deutch is “so committed to her earnest character that she keeps the movie afloat even while beating someone to death with her bare hands.” But her performance isn’t enough to lift this “zany” misfire out of 2-star territory.

Greek mythology has inspired filmmakers since the days of silent movies. With big-screen adaptations of “The Odyssey” and “Hadestown” opening this month, Henderson looks back — way back — and forward. “Get ready for a lighthearted take on cinematic Greek myths featuring Schwarzenegger, skeletons, and singing men of constant sorrow.”

TV & Streaming

The Elin Hilderbrand adaptation “The Five-Star Weekend” is “earnest without being too saccharine.”  Jennifer Garner stars as Hollis, a recent widow who invites four friends — played by Regina Hall, Chloe Sevigny, D’Arcy Carden, and Gemma Chan — to Nantucket. The eight-episode series is “not challenging, exactly, but it is thoughtful, and the writing is elevated even further by the talented ensemble,” writes Globe correspondent Caroline Siede.

“The Westies” stars J.K. Simmons as the fictional head of a real Irish-American criminal operation in Hell’s Kitchen in the 1980s.  The series “shows how far good acting and propulsive storytelling can carry standard genre themes,” notably a rivalry with the Italian mob, Globe TV critic Chris Vognar writes. “Beneath the bloodshed and backstabbing is a story about old bosses trying to preserve some sense of order and stability amid chaos.”

A worthy companion piece to “The Westies” is “Godfather of Harlem.”  Forest Whitaker brings “gravitas and charm” to his portrayal of the title character, Bumpy Johnson, a “real-life Black gangster, torn between making a buck and doing right by his community,” Vognar writes. The series, which premiered in 2019, “played like prestige pulp — violent, a little melodramatic, but unafraid to at least try painting an epic picture."

You have until Sept. 14 to catch up on the Emmy nominees announced this week. “Hacks” racked up a record 24 nods, and “Widow’s Bay,” the horror comedy set on an island off the New England coast, scored 19. The Globe’s Matt Juul has the lowdown.

Museums & Visual Art

“Avery, Gottlieb & Rothko: By the Sea” is a “legitimate summer blockbuster” at the newly reopened Cape Ann Museum.  “If you want to start with a bang, this is tough to beat,” Globe art critic Murray Whyte writes. Milton Avery “was the Gloucester devotee who lured his young charges north from New York.” Adolph Gottlieb and Mark Rothko, “urbane, serious, intellectually driven,” joined their mentor for “an invigorating refresh.”

Work by 10 artists and “a little bit of a laugh” feature in the group show “Punchline II.”  Stand-up comedian Atsuko Okatsuka and her partner, Ryan Harper Gray, curated with Praise Shadows Art Gallery owner Yng-Ru Chen. “I just know when something makes me laugh or makes me giggle, I’m drawn to it, or it makes me happy,” Okatsuka tells Globe correspondent Cate McQuaid. Says Harper Gray, “You don’t need to know about art. Come on in.”

Music

To “freshen up your summer joyride and pool party playlists,” 11 Globe music writers name the 21 best albums of the year (so far). Massachusetts “metalcore institution” Converge lands two entries on the list, alongside the latest from Kacey Musgraves and Robyn (not together) as well as an “unlikely 15-track hodgepodge of jazz and pop sources” by Boston-area guitarist-composer Eric Hofbauer and EHX.

“Heated Rivalry” fever is breaking containment.  “This weekend, record stores across the country are hosting listening parties for the show’s soundtrack,” Globe correspondent Victoria Wasylak writes for Sound Check. “The show ... creates wonderful representation for the LGBTQ+ community,” says Wanna Hear It Records owner Joey Cahill. “I hope folks feel welcome to express their excitement for what this show represents.”

Noah Kahan’s four-date homestand at Fenway Park wraps up tomorrow. Two-plus years ago, when the singer-songwriter “was just beginning his ascent to global fame,” Globe correspondent Jill Oestreicher Gross visited his Vermont hometown with her daughter. “A core memory was born,” she writes, but the experience taught them a valuable lesson about traveling during mud season.

Dance

Gen Z is stomping, kicking, and clapping the night away — in other words, line dancing. All over town, “a hot, thriving community dance trend [is] drawing younger people who are putting their own spin on the grapevine,” Globe correspondent Sarah Knight reports. “In a way, it’s the perfect dance for 20-somethings; you can learn it on TikTok or YouTube on your phone, then go out and dance next to real people, already knowing the steps.”

Jacob’s Pillow dominates the summer dance performance season, with abundant options elsewhere. Beyond the Berkshires, events on Martha’s Vineyard and in Maine and Rhode Island “offer a wide range of domestic and international offerings,” writes Globe correspondent Karen Campbell. Bates Dance Festival in Maine is already underway, and Newport Dance Festival starts next week.

Theater

The Broadway-bound production of “Paranormal Activity” that opens in Boston tomorrow is “an original story set in the same spooky universe” as the movie series. “It feels like all of the earlier versions have sort of been getting the show in the right place for this one,” director Felix Barrett tells the Globe’s Matt Juul, who has a preview. “I hope this is our gift to Boston, because this is the city we wanted to work in.”

The musical production of “The Great Gatsby” that opened in Boston this week is a “shapeless, dumbed-down mishmash.” F. Scott Fitzgerald’s novel becomes “not much more than a narrative clothesline on which to hang cliched motifs of melodrama, punctuated by cringe-inducing forays into rom-com territory,” writes Globe theater critic Don Aucoin. “What’s missing is the pain that does so much to make ‘Gatsby’ matter.”

What is it about “Gatsby”? Adaptations “have struggled to harness the book’s power or move beyond the superficial,” writes Globe critic Chris Vognar. “So much of what makes the slim novel sing is in the author’s voice. ... It’s one of the many rich ‘Gatsby’ ironies: All that irresistibly fizzy prose depicts a rather nightmarish take on the American Dream.”

Books

Julie Buntin’s second novel, “Famous Men,” “pleases and provokes from every vantage point.” Leaving the hometown where she had “a reputation for being ‘trampy and aloof,’” Will enrolls at the college where her favorite poet teaches. That sets in motion “a bildungsroman that explores the dynamics of power, ambition, and sexuality with the pulse and complexity of an intricate thriller,” writes Globe reviewer Leigh Haber.

The satirical comic-strip collection “Get Your War On” originated after the Sept. 11, 2001, attacks. Illustrated with clip art, it’s “the essential artifact of Gen X early adulthood,” Kate Tuttle, who edits the Globe’s books section, says of this week’s One Special Thing. “There was something bracing and direct about [David] Rees’s work that reassured the reader that no, you’re not crazy and yes, this is all extremely messed up.”

In her first story collection, 75-year-old Sigrid Nunez adds to her reputation as “one of our best, smartest, funniest authors.” The “easy intimacy and impression of casualness” of “It Will Come Back to You” “exist in fascinating counterpoint to its philosophical heft, existential probing, and sagacious maturity,” writes Globe reviewer Priscilla Gilman. “We never end up where we began.”

Today’s newsletter was written by Marie Morris and produced by the Globe Living/Arts staff. Marie Morris can be reached at marie.morris@globe.com. Thanks for reading.

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