‘What tranness can be’ Reach
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The dust may have settled a little bit since Russell T Davies’ Tip Toe first aired on our screens, but there’s still many of us coming to terms with THAT harrowing last episode.

Amongst the stellar performances from the last, like Alan Cumming, David Morrissey, and Iz Hesketh, the series marked the debut TV role for trans actress Shakeel Kimotho who played Spit + Polish bar worker Hanna Ayomide.

For a younger Shakeel, who grew up in Bradford, she recently spoke about how it would have been so important to see someone like Hanna on her screen. Beyond the character herself, the series' commitment to showcasing queer, working-class and northern voices offered the kind of representation she rarely encountered growing up.

"I think it’s very rare that you get queer stories told so authentically,” she recently told the M.E.N. “and the intersectionality of that with working class people, a working class community, with a northern community too.

 

 
 
 
 
 
 
 
 

Recalling one of her earliest experiences of seeing representation in the arts, Shakeel reflected on the profound impact visibility can have. She continued: "It has been so affirming to be everything that I wanted to be in life.

"I remember the first time I saw black people on stage was when Alvin Ailey American Dance Theatre came to the Alhambra in Bradford and I remember being so taken aback at just seeing black artistry in that kind of form.

"I would have felt a very similar thing to seeing queerness and transness, displayed in a really healthy, really positive way. To see transness that’s not centred for the male gaze. I think it would have reframed my whole understanding of what transness can be and how it can look, and what it really is at the humanity of it."

Asked if she agrees with recent comments creator Davies made about the show needing to be made now given the increasing challenges facing the LGBTQ+ community, she said she does.

"It feels like it’s absolutely on the nose of what’s happening in the world and the shifts that we’re all seeing and we’re all so scared of. I think we all started to see different versions of ourselves and all of these characters, different versions of communities and people we know, people we used to know portrayed throughout all of this.”

You can read the full piece here.

 
 
  
  
  
  
 
 
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