Loewe’s stylish World Cup collection, stories you might have missed and Fondation Cartier’s migration symposium.
Thursday 11/6/26
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The Fifa World Cup kicks off today in Mexico City, where fans and workers will hopefully receive a warmer welcome than that of Omar Abdulkadir Artan, a Somalian referee who was denied entry to the US this week. But beyond the tournament’s well-documented hospitality woes, there’s more that feels out of tune. For starters, where is all the music?

THE OPINION: Why the beautiful game needs a backing track
ART: Fondation Cartier’s new symposium
DAILY TREAT: Loewe kits out Spain in smart tailoring
LIST: Off-the-pitch sporting stories from monocle.com


The Opinion: culture

Tacky? Yes. Patriotic? Often. But the World Cup needs its anthems

By Robert Bound
By Robert Bound

Crunch! Like a heavy gold fist, it’s finally time for the Fifa World Cup to punch us all in the face again. Not without criticism, the tournament has ballooned from being a mere global behemoth to a time-devouring leviathan: 48 teams will play across three host nations and 16 stadiums; the stage for 104 matches across 39 days. It’s not a sprint. It’s not even a marathon. It’s a mission: Apollo 13 without enough oxygen or handy hints from Houston (though that is one of the host cities). Of course we’ll probably love it but there’ll be times when we’ll all need some moral support – and this is where World Cup songs come in. The sillier the better – but where are they now?

The football song is a slippery thing. There are the official anthems that tend toward the platitudinous, then there are football-loving pop groups arching an eyebrow to make a buck and, finally, there are the strange and often beguiling attempts of outsider fan-ish artists polishing up a chant. Guess which are the best.

Google “best World Cup songs 2026” and you might happen across Fifa Sound, the global governing body’s portal to an album of eye-wateringly saccharine globo-pop fit to give you Type-2 diabetes by the second listen. Despite nations competing in the World Cup, it seems that Fifa lately disdains national songs, so will instead commission a leftovers-jambalaya of salsa-meets-pop-meets-reggaeton-meets-rap-meets-balladry.

 
Hips don’t lie: Dancing fans make for better World Cups

With leaden-footed banality, the tagline accompanying the collection reads, “combining the universal languages of football and music – a collection of different styles, paces and souls working in harmony”. It’s hardly a secret that Fifa has been extracting more than just the “mony” out of “harmony” for years. Let’s just hope that the copywriter was mauled by at least three lions for their efforts.

And, neatly, mention of those apex predators brings us to the second category of football songs – pop groups having a bit of a laugh. The English Football Association commissioned The Lightning Seeds’ melody ace Ian Broudie to write the nation’s tune for Euro 1996. Broudie invited comedians David Baddiel and Frank Skinner to write the lyrics to what became “Three Lions” – Broudie also asked theduo to sing the song alongside him. The song’s mixture of an incredibly catchy tune matched to salt-of-the-terrace mythologising and that addictive chorus made for a funny, silly, oddly moving and genuinely excellent piece of pop culture. Is it a song? Is it a hymn? It’s a soul-searching yet patriotic masterpiece of English existentialism. William Blake’s “Jerusalem” for tearful pub-land. We were all Jerusa-lads. 

Honourable mentions in this category go to New Order’s “World in Motion” (1990) for it being genuinely good and the band – themselves known for tricky intra-group dynamics – welcoming England winger John Barnes to rap on the song. Barnes is quite adept, the song’s solid – it’s English yet successfully unironic. The 1994 German team that featured the decidedly non-camp Lothar Matthäus, Jürgen Klinsmann and Rudi Völler (well, Rudi was pretty camp) chose the Village People to write and lead their anthemic effort for the previous time that the World Cup was in the US. The non-jingoistic Germans manfully sang about “a land so wild and free” and having “rainbows in their eyes”. The video is a gem of awkward bonhomie.

While Shakira performed “Waka-Waka” (if I was Fozzie Bear from the Muppets, I’d sue) for the 2010 South Africa World Cup, it was Somali-Canadian singer K’naan who wrote the best song. His “Wavin’ Flag” originally begged for peace amid the Somalian civil war and was then re-tooled by Coca-Cola – but the emotional edges weren’t worn off. It was successfully patriotic, if in a sadder key.

This year, in support of Scotland, bookishly brilliant Glaswegian band Belle & Sebastian released “It Only Takes One Lion”, a well-turned and reflective tribute to inner courage and Scottish strength. But I’m afraid that I will have to take you back to England for the definitive mix of idiot-savant greatness, non-sequitur poetry and lunatic patriotism: “Vindaloo” by Fat Les. Britpop legend Alex James, art superstar Damien Hirst and eccentric actor Keith Allen combined forces for the song. I wonder what they were on? But I’ve rarely been happier than blasting this super-tosh at full volume from a windows-down Jag as my pal and I drove through Carcassonne before watching England narrowly beat Wales in the 93rd minute of Euro 2016. We’d get knocked out by Iceland soon after. The excellent stupidity, the ironic patriotism – or is it? – is what might just be missing from the next five and a half weeks of our lives. 

Robert Bound is a contributing editor at Monocle. For more opinion, analysis and insight, subscribe to Monocle today.


In Mexico City for the World Cup opener? Or just planning a trip? Check out our guide.


 

Sponsored by Luca Faloni

 
 

The Briefings

art: paris

The Fondation Cartier symposium tackles migration through art

This Friday and Saturday the Fondation Cartier pour l’Art Contemporain will be hosting a symposium at its Jean Nouvel-designed space in Paris (writes Grace Charlton). The theme of the discussions will be “Exit: The Image of the Present”and speakers will include Paola Antonelli, senior curator of Moma’s architecture and design department, and US architect Elizabeth Diller. 

 
Living archive: Fondation Cartier contemplates migration

At the heart of the symposium is design studio Diller Scofidio + Renfro’s installation “Exit”, which, through clear, easy-to-understand charts, lays bare how migration patterns are born of conflict, remittance flows and rising sea levels and temperatures. The aim of this weekend’s event is to examine these issues and how they overlap – but also the role of the museum as a living archive with the responsibility to document and relay information to as wide an audience as possible.

‘Exit: The Image of the Present’ takes place on 12 and 13 June at the Fondation Cartier pour l’Art Contemporain in Paris. 


• • • • • DAILY TREAT • • • • •

Dress to impress in Loewe’s World Cup collection

Luxury brands are betting big on the World Cup. Jacquemus reimagined the French kit with Nike, Gabriela Hearst designed a pre-match uniform for the Uruguayan players and Burberry released its own sporty campaign. Madrid-based Loewe has produced some of the competition’s smartest suiting for the Spanish squad – now available to all.

Made from a lightweight wool, this black jacket features striped, contrast cuffs. The collection also includes cotton polo shirts and derbies made from calfskin. It’s an elevated look that sets a high bar. 
loewe.com


 

Sponsored by Luca Faloni

 
 

Beyond the headlines

the LIST: FROM monocle.com

Stories you might have missed

You don’t have to be a football fan to grasp the game’s seismic influence. Here are some Monocle reads that highlight its impact beyond the pitch, from soft power and stadium design to botany and business.

This award-winning Chilean football stadium is an architectural triumph


Who owns the beautiful game in Europe? Increasingly, American investors 


Fifa’s shameless peace prize is cheered by a crowd of one: Donald Trump


As the Fifa World Cup 2026 begins, the grass is about to get greener in Vancouver