Movies Update: What to see at the Tribeca Festival
Plus, He-Man is back
Movies Update
June 5, 2026

Hey there, movie fans!

The Tribeca Festival, (perhaps the scrappiest of all the major festivals) began on Wednesday and runs through June 14. This marks the festival’s 25th year since its founding shortly after the 9/11 attacks as a way to revive Lower Manhattan. The critic Natalia Winkelman provided highlights from this year’s slate, including “Funk,” which, she wrote, “plays like a Brazilian funk version of ‘A Star is Born,’ if that star spent as much time twerking as vocalizing.” Winkelman also liked “Act One,” which she called “a wickedly charged thriller” about a cultlike local theater company. We had a round table conversation with Robert De Niro and Jane Rosenthal, who founded the event, as well as Rebecca Glashow, the new leader of Tribeca Enterprises. They looked back at Tribeca’s best moments and looked ahead to its future. “Who knows where it’ll wind up or where it’ll go,” De Niro said, “but it’ll certainly be interesting.”

Outside the festival circuit, plenty of great new movies are opening in theaters. One of those is “The Little Sister,” a coming-of-age film about a French Algerian teenager discovering her sexuality. In her critic’s pick review, Alissa Wilkinson praised the film’s subtlety, writing, “a movie about a teen from a religious family grappling with her sexual identity is hardly uncommon. But ‘The Little Sister’ is an unusually gentle take on this story.”

Another critic’s pick this week is “Carolina Caroline,” a lovers-on-the-lam drama starring Samara Weaving and Kyle Gallner. In her review, the critic Beatrice Loayza wrote, “Nestled into its classic blueprint like a pair of old, reliable jeans, it banks on the quality of its ingredients — its magnetic stars and soulful sincerity — to revitalize its timeworn premise.” As a resident Kyle Gallner fan (if you haven’t seen “Dinner in America,” you must), I will be seated with my popcorn.

At the festival or at your local cinema, enjoy the movies!

CRITICS’ PICKS

A woman in a red dress and a man in a suit stand close together in a dimly lit, elegant hotel lobby.

Magnolia Pictures

Critic’s Pick

‘Carolina Caroline’ Review: Hearts on the Run

Samara Weaving and Kyle Gallner are magnetic in this lovers-on-the-lam joint awash in soulful sincerity.

By Beatrice Loayza

Two young women smile and embrace each other outdoors in a crowd. One has long dark hair tied back and wears a black shirt, while the other has wavy black hair.

June Films/Katuh Studio, via Strand Releasing

Critic’s Pick

‘The Little Sister’ Review: Learning to Love

A French Algerian teenager grapples with her sexuality and her faith in a tender coming-of-age drama.

By Alissa Wilkinson

MOVIE REVIEWS

A woman is swimming in a pool underground; two men are behind her in the water.

Oscilloscope

‘Underland’ Review: Subterranean Adventurers

All over the world, voyagers are descending, legally and not, into the lower depths. This documentary offers a frustratingly abbreviated look at three of them.

By Manohla Dargis

A muscular warrior in a leather skirt, boots and shoulder armor swings a sword at a dark, armored opponent.

Giles Keyte/Amazon MGM Studios

‘Masters of the Universe’ Review: Becoming a He-Man

The filmmakers behind this new live-action movie lean into the franchise’s ridiculousness, with sometimes engaging results.

By Glenn Kenny

Jennifer Lopez, in a white top, sits next to Brett Goldstein, in a navy suit, at a desk.

Ana Carballosa/Netflix

‘Office Romance’ Review: Prepare for Turbulence

Jennifer Lopez and Brett Goldstein cause professional headaches in this workplace comedy about an airline.

By Lisa Kennedy

Diego Luna, in a suit on a soccer pitch, looks triumphant.

Netflix

‘Mexico 86’ Review: This Underdog Has Bags of Cash

Diego Luna plays an ambitious soccer enthusiast who is trying to secure the World Cup for Mexico a second time.

By Ben Kenigsberg

Two high school students sit in a classroom, decorating their yellow graduation caps.

Obscured Releasing

‘She’s the He’ Review: A Campy, Gender Swap Comedy

Nico Carney and Misha Osherovich play best friends on a mission to enter the women’s locker room.

By Chris Azzopardi

An animated character in a blue armored suit with a glowing circle on the chest stands in front of a bright white burst of light.

Greenwich Entertainment

‘Jinsei’ Review: Dreaming of J-Pop Stardom

In this anime film that follows a taciturn man over decades, the restrained animation is a saving grace.

By Natalia Winkelman

In a scene from an animated movie, two figures stand looking toward the viewer. One has many teeth and looks robotic. The sky is dark and there are orange plants in the foreground.

GKids

Review: In ‘Another World,’ the Afterlife Glows Red

The director Tommy Ng Kai Chung turns reincarnation into a visually lush exploration of the human condition.

By Beandrea July

Two men perform onstage in leather jackets. Behind them are pink, blue and silver streamers.

Lionsgate

‘Power Ballad’ Review: Hitting All the Wrong Notes

There are some promising themes in this comedy-drama about an American musician in Dublin, featuring Nick Jonas and Paul Rudd, but the movie never develops them.

By Manohla Dargis

NEWS & FEATURES

A woman with curly hair sits at the open sliding door of a silver van, wearing a black and neon green outfit, with a serious expression.

Vincent Rosenblatt

Critic’s Notebook

The Tribeca Festival at 25: Artists Reign

The standouts from this year’s lineup include films about a cultlike theater troupe and an experimental dance residency.

By Natalia Winkelman

A man with a beard and long hair wears a wide-brimmed cowboy hat, a dark shirt, and red suspenders. He appears to be outdoors, with a blurred building in the background.

NBCUniversal

Critic’s Notebook

Why Westerns Still Matter

A new MoMA retrospective tracks how Universal Pictures used the western to explore changing American morals.

By Jason Bailey

A woman with long brown hair stands against a blue sky with building in the background. She's wearing a patterned brown blouse and is crossing her arms. She has a slight smile and is looking off to her left at something out of frame.

Thea Traff for The New York Times

What the Y2K Generation’s ‘Hot Girl’ Thinks About It All Now

Shannon Elizabeth helped define blockbusters like “American Pie” and cult favorites like “Jay and Silent Bob Strike Back.” Now, as she enters a new public chapter, she reflects on the era.

By Maya Salam