Theater Update: Daniel Radcliffe makes ‘Every Brilliant Thing’ shine
John Lithgow; Maya Rudolph; ‘Merrily We Roll Along”
Theater Update
March 18, 2026

Dear Theater Fans,

Ready for some boozy, late-night shenanigans? And no, I’m not talking about a redux of the Oscars. I’m referring to the Encores! staging of “The Wild Party,” Michael John LaChiusa and George C. Wolfe’s adaptation of Joseph Moncure March’s poem about a decadent Jazz Age bash. Performances start tonight at New York City Center, and our critic will weigh in tomorrow. But one thing is certain: An incredible cast has been assembled for this production, including Jasmine Amy Rogers, Adrienne Warren, Jordan Donica and Tonya Pinkins. (Here’s a taste of the fizzy opening number, “Queenie Was a Blonde.”)

“Every Brilliant Thing” may have a delightful cast of one, Daniel Radcliffe, but it’s the supporting cast — the audience — that help make this interactive Broadway play sing. Helen Shaw has a lovely review of what makes the show such a charmer. She made it a Critic’s Pick. And speaking of singing: The Tony-winning production of the Sondheim musical “Merrily We Roll Along,” Radcliffe’s previous Broadway outing, is now available for streaming. Elisabeth Vincentelli wrote about that production and others in this month’s streaming column.

Also on Broadway: Michael Paulson reported that Maya Rudolph will make her Broadway debut in “Oh, Mary!” this spring, and that Jocelyn Bioh’s acclaimed Off Broadway comedy “School Girls; or, The African Mean Girls Play,” will have its first Broadway production in the fall.

Speaking of transfers: In the new play “Giant,” now in previews on Broadway, John Lithgow stars as Roald Dahl, the successful, divisive and antisemitic children’s book author. At 80, Lithgow certainly has nothing to prove. So why, Jesse asked, does he make a beeline for such potentially divisive gigs? “I am fascinated by every variety of human experience and want to understand it,” Lithgow told him. “I’m in the empathy business.” Jesse has written a beautiful profile that you’ll want to sit down to read, and savor.

Please reach out to me at theaterfeedback@nytimes.com with suggestions for articles or to offer your thoughts about our coverage. And urge your friends to subscribe to this newsletter.

Have a wonderful week,
Nicole Herrington
Theater Editor

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NEWS AND FEATURES

A woman in a black sweater stands in front of a step-and-repeat with the wording “BAFTA Film Awards.”

Alberto Pezzali/Invision, via Associated Press

A New First Lady for Broadway’s ‘Oh, Mary!’: Maya Rudolph

The actress will make her Broadway debut in a role that, she said, “feels like a badge of honor.”

By Michael Paulson

Six young women in green dress talk to one another in a production image.

Sara Krulwich/The New York Times

African Mean Girls? Fresh Take on Teen Cliques Is Broadway Bound.

“School Girls; or, The African Mean Girls Play,” written by Jocelyn Bioh and directed by Whitney White, will start performances in September.

By Michael Paulson

Nine people stand in a circle onstage in this production image.

Alexander Mejía/Bergamot

New York Theater Settles Case That Argued Discounts Were Discriminatory

The lawsuit objected to a “BIPOC night” program at Playwrights Horizons, an Off Broadway nonprofit.

By Michael Paulson

President Trump, wearing a gold tie and a dark suit, leans forward behind a microphone.

Doug Mills/The New York Times

Kennedy Center Board Votes to Close for 2-Year Renovation Project

Ahead of the vote, President Trump criticized the center’s physical condition and previous financial management.

By Julia Jacobs

A man wearing a tuxedo next to a gold column.

Valerie Plesch for The New York Times

Kennedy Center’s President Is Leaving After Tumultuous Year

Since Richard Grenell was appointed by President Trump, the arts center has endured waves of cancellations and departures. It will soon close for lengthy renovations.

By Adam Nagourney and Julia Jacobs

Article Image

Amy Lombard for The New York Times

On the Hunt for 24 Hours of Drag in N.Y.C.

An enthusiast went on a madcap adventure to find some fun events for all types across the city, from bingo fans to “Star Trek” aficionados.

By Erik Piepenburg and Amy Lombard

THEATER REVIEWS

Daniel Radcliffe, in a lavender-colored sweatshirt and bluejeans, celebrates with a man and other audience members who all have their arms raised in the air as confetti rains down on them.

Sara Krulwich/The New York Times

Critic’s Pick

Daniel Radcliffe Makes ‘Every Brilliant Thing’ Shine

The actor’s fondness for the audience radiates outward in this delightful interactive play about naming and noticing the good in the world.

By Helen Shaw

Two people dancing on an orange stage with dinosaur designs behind them.

Marc J. Franklin

‘My Joy Is Heavy’ Review: Hope and Horror Live in the Same House

A full-scale production of the Bengsons’ deeply personal memoir musical is delivered via anthemic songs and remnants of home.

By Brittani Samuel

A discussion in a living room onstage in “Ulster American.” A woman stands, leaning on the back of a chair while a man beside her gesticulates to make a point. Looking up at them from a chair is another man with a scarf wound around his neck.

Rachel Papo for The New York Times

‘Ulster American’ Review: Matthew Broderick as a Star Blinded by Privilege

David Ireland’s satire follows a Hollywood actor whose cluelessness leads to a combustible confrontation.

By Elisabeth Vincentelli

Two men stand onstage, while a third sits. One is laughing while holding an orange peel.

Rachel Papo for The New York Times

‘Trash’ Review: Bickering About Chores, in Sign Language

James Caverly and Andrew Morrill star as Deaf roommates in their new comedy at the Perelman Performing Arts Center.

By Laura Collins-Hughes