![]() The Weekend Press: Oscars Weekend! Plus: Louis Theroux embarrassed himself in his latest documentary. America’s founding mother. Remember when Andrew Yang tried to warn us about mass AI unemployment? And more!
It’s Oscars weekend! (Animation by The Free Press)
Welcome back to The Weekend Press! Today, River Page reviews Louis Theroux’s futile attempt to expose the manosphere. Once (and future?) presidential candidate Andrew Yang tells us mass AI unemployment could end in brutal revolution. America’s forgotten founding mother. And more! But first: It’s Oscars weekend! The votes are cast. The predictions made. The dresses fitted. It’s almost time for the lights, the camera, the action of the 98th Academy Awards. The ceremony starts at 7 p.m. ET on Sunday, and to get you ready, we have a fresh piece on each of the three front-runners for Best Picture. You won’t read these takes anywhere else. First up: Liel Leibovitz takes aim at One Battle After Another, which, according to Polymarket, has a 75 percent chance of bagging the top prize. And yet, according to Liel, Paul Thomas Anderson’s blockbuster is an ugly action movie about some progressives going to war against a version of ICE, and deserves none of the accolades it has scooped up. He writes: “It feels like the sort of thing written by a committee of socialist college sophomores cracking each other up by casting the rapper Junglepussy—she plays a character by the same name—whose sole purpose is to deliver some silly speech about black power before disappearing from the action altogether 20 minutes in.” Bishop Robert Barron was himself disappointed by Ryan Coogler’s Sinners, which is One Battle’s closest competitor. A vampire movie set in the Jim Crow South, it had the ingredients to be great: epic acting, beautiful cinematography. But, the bishop writes, the underlying morality of the movie—that it’s possible to “divide the world into the easy binary of oppressor and oppressed, good guys and bad guys”—troubled him. “This sort of moral reductionism obscures the dramatic tension between good and evil that all of us find in ourselves,” he writes. And finally, a celebration: of Marty Supreme, a film that turns a ping-pong tournament into the fight of one man’s life. Timothée Chalamet plays Marty Mauser, who is amoral, gifted, reckless—and a breath of fresh air for Rich Cohen, author of Tough Jews. “I went through my 20s with a beef,” writes Cohen. “I didn’t like how Jews were portrayed in pop culture, or in the minds of my friends”—that is, as suitable husbands and good math students. That’s why he enjoyed watching this corrupt, womanizing protagonist—a Jew who shockingly says, of an upcoming match against a Holocaust survivor named Béla Kletzki, “I’m basically gonna do to Kletzki what Auschwitz couldn’t.” “At a time when there is an attempt to redefine what it means to be Jewish, to characterize us en masse, to turn us into villains, Marty Supreme is a gift,” writes Cohen. “Not because it tries to defend Jews or depict them as do-gooders. But because it doesn’t.” Knock Knock, It’s Cupid!Looking for love? Over at Free Press Cupid, we bring you a new batch of single Free Pressers each week! |