Movies Update: Brief thoughts on the Oscar-nominated shorts
Plus, a chat with Ethan Hawke
Movies Update
February 20, 2026

Hey, movie fans!

While the Oscars are still a few weeks away, it’s never too early to begin educating yourself on some of the tougher categories for your Oscar pool. To help you out, the Oscar-nominated short films are once again being released in theaters. Three of our critics weigh in on the programs, with thoughts on which are standouts and which, well, could be shorter.

In other Oscar news, our Projectionist columnist, Kyle Buchanan, caught up with one nominee who has been in movies for more than three decades: Ethan Hawke. The actor, nominated for his lead performance in “Blue Moon,” offered plenty of reflection, but also thoughts on the various ways he is keeping busy outside of acting. “I think part of my obsession with making documentaries, doing theater and writing novels is making sure that nobody can take this away from me — I’ve learned enough that I’ll find another way to contribute,” he said.

And one final Oscar thought for the week involves the newest category to be added to the roster: casting. In talking with a governor in the academy, as well as casting directors, the writer Esther Zuckerman aims to get to the bottom of the question, what criteria do you use to judge casting?

Enjoy the movies!

CRITICS’ PICKS

Two smiling men on a stage together in a still from the documentary “Billy Preston: That’s the Way God Planned It.”

Lawrence Movera/Film Forum

Critic’s Pick

‘Billy Preston’ Review: A Unique and Tortured Talent

The Beatles, the Stones and Clapton shared the stage with him. He made solo hits, too. A documentary by Paris Barclay explores his success and his difficult life.

By Glenn Kenny

A man with short hair and a beard looks intensely at another man with wavy dark hair, who is out of focus.

A24

Critic’s Pick

‘Pillion’ Review: An Opposites-Attract ‘Dom-Com’

A shy young man is captivated by a hunky biker in this bold, funny and achingly tenderhearted B.D.S.M. romance.

By Jeannette Catsoulis

A still of a truck and a van in the desert. In the foreground, six people sit on dusty pieces of furniture near two large speakers.

Neon

Critic’s pick

‘Sirat’ Review: A Shocker in the Desert

The Galician director Oliver Laxe delivers a mesmerizing thriller about a man’s search for his lost daughter, set amid raves in the punishing Sahara.

By Manohla Dargis

ANATOMY OF A SCENE

A man in a white shirt uses a red public phone under a yellow booth. He stands in front of a wall covered with black-and-white posters featuring portraits and Portuguese text.

Neon

Anatomy of a Scene

Watch an Ensemble Scene From ‘The Secret Agent’

Kleber Mendonça Filho narrates a sequence from his Oscar-nominated film, starring Wagner Moura.

By Mekado Murphy

MOVIE REVIEWS

In an archival image set in a nondescript space, a man in a white jumpsuit strums a guitar emblazoned with the name “Elvis Presley” as other men look on.

Neon

Documentary Lens

Up Close With the King in ‘EPiC: Elvis Presley in Concert’

Newly found footage makes for a fun and revealing concert movie from the director Baz Luhrmann.

By Alissa Wilkinson

Glen Powell, in a khaki-colored baseball cap and a navy and mustard-colored polo, looks toward the camera.

Ilze Kitshoff/A24

‘How to Make a Killing’ Review: Glen Powell’s Lethal Case of Entitlement

The actor stars in this comedy with a high corpse count, but the movie’s lightness soon becomes forced.

By Manohla Dargis

A man and woman stand on a bridge over a canal, facing each other and holding hands, with trees, parked bikes and older buildings lining the water in the background.

Mark de Blok/Focus Features

‘Midwinter Break’ Review: Aging Together, Growing Apart

Lesley Manville and Ciaran Hinds play an Irish married couple dealing with quiet resentments in this staid drama.

By Natalia Winkelman

Three men play music onstage. In the center, a man sings, holding a mic stand. On the right, a younger man plays guitar.

Jake Giles Netter/Lionsgate

‘I Can Only Imagine 2’ Review: Dogged by Dark Memories

For its sequel, the Christian-themed drama about a hit single finds a new tune and an anchoring presence.

By Lisa Kennedy

A woman in a white dress with a dark corset and shawl holds a jar near her side while standing in nature.

Lionsgate

‘The Dreadful’ Review: A Knight in Frightening Armor

Sophie Turner and Kit Harrington reunite after “Game of Thrones” in this deeply silly horror fable that is haunted by an ominous knight.

By Brandon Yu

A man wearing a dark, intimidating mask with metal features is looking at himself in the mirror in a bathroom.

Eric Zachanowich/20th Century Studios

‘Psycho Killer’ Review: Better the Devil You Don’t Know

A highway patrol officer travels the country to track down a hulking killing machine in this unsuccessful slasher.

By Erik Piepenburg

NEWS & FEATURES

Blake Lively and Justin Baldoni holding microphones and looking at each other on the set of their movie “It Ends With Us.”

Sony Pictures

Lively v. Baldoni Tests What Crosses the Line on a ‘Steamy’ Movie Set

An affectionate slow dance. References to pornography. What rises to harassment on the set of a movie about a sexual relationship that turns violent?

By Julia Jacobs

Article Image

Ariel Fisher for The New York Times

Billy Idol Had It All, and Then He ‘Lit It With Butane’

Last year, the British rocker with the iconic sneer played his biggest tour yet. At 70, he’s revealing how he survived the tough times in a new documentary.

By Melena Ryzik

A shirtless man in a tan coat with an elaborate collar.

Apple Corps

Billy Preston’s Music Was ‘Pure Joy.’ But His Life Ended in Tragedy.

The Beatles’ beloved collaborator died at 59 in 2006. A new documentary, “That’s the Way God Planned It,” explores what he long kept hidden.

By Jim Farber

Wim Wenders stands in the foreground before a large purple backdrop covered in pink and blue abstract shapes.

John Macdougall/Agence France-Presse — Getty Images

A Festival Tried to Focus on Film. Politics Stole the Spotlight.

Reporters’ attempts to draw stars into debates about Gaza and other highly charged topics have threatened to overshadow the movies at the Berlin Film Festival.

By Thomas Rogers