The Morning: Amputation and reinvention
Plus, the Australian Open, the Epstein files and couture looks from Paris.
The Morning
February 1, 2026

Good morning. The U.S. government remains partly shut down. Protesters across the U.S. rallied yesterday against the Trump administration’s immigration crackdown. And in Texas, a Democrat won a special election in a historically conservative district.

We have more news below, but first one of our colleagues shares her remarkable story of amputation and reinvention.

Yewande Komolafe wears a black-and-white caftan and dark lipstick. She is sitting in an electric wheelchair.
The writer in the kitchen at her home in Brooklyn, N.Y. Lanna Apisukh for The New York Times

A new kind of cook

By Yewande Komolafe

I’m a recipe developer, columnist and video host for The Times.

I was born with sickle cell disease, an inherited blood disorder. It doesn’t hinder my passion for food, but I had to learn to navigate the world with balance — alternating periods of exertion and rest to prevent a painful crisis.

One such crisis began in December 2023. I went to a New York City hospital for what I thought would be a routine stay. Six weeks later, I woke from a coma in a different hospital. A tube helped me breathe. Eventually, doctors would amputate my legs and my fingers. After seven months in the hospital, I went home in an ambulance. Eventually, I’d acquire an electric wheelchair and prosthetic hands and legs.

Throughout my two-decade career as a cook — working in restaurants and test kitchens, developing recipes and writing cookbooks — I have been aware of limitations: the hottest temperature I could quickly coax flavor from carrots, how impulsively I could move my body without eliciting a sickle cell crisis.

Now I would face my greatest limitations yet. I was certain I would return to the kitchen. I just needed to figure out how.

Adaptation

In the hospital, a friend would visit me with pastries. That’s how I first encountered the brown butter cornmeal cake from Radio Bakery in Brooklyn. It was assertive in its nuttiness, an exquisite balance of sweet and savory, with a crunchy exterior and a dense, pillowy softness within. It was the perfect complement to the first sips of coffee I could manage. I knew I wanted to bake a version of it.

When I got home, I had to rediscover myself — as a person, a wife, a mother and a cook. A daily rotation of home health aides assisted me with the mundane tasks of bathing and dressing.

A person wearing a dark blue shirt and jeans standing and a person wearing a gray sweater sitting in a wheelchair look at a cast iron dish filled with a cornmeal cake topped with cherries.
Yewande, right, with her assistant Stasia de Tilly, left. Lanna Apisukh for The New York Times

I began dreaming of the foods I yearned to make. So much of my body had changed, but I still had my sense of taste and smell, my culinary knowledge, my ability to eye when a dish is cooked just right. But when I returned to work as a columnist and recipe developer last April, I now needed the help of a cooking assistant who would act as my hands.

The inspiration for my recipes still begins as a sensory image evocative enough to pine for, or a thought that floats across my mind. But how I write them down has changed, as I talk to my computer and rely on its accessibility software to record my words in text form. (Sometimes, it doesn’t understand my Nigerian accent until I enunciate the syllables in a clipped tone.)

Each day, my rotating cast of assistants and I begin at my kitchen table, going over a recipe step by step. They’re in charge of chopping and slicing ingredients, cooking the dish, navigating the too-tall counters and impossible-to-open cabinets. I watch, touch, listen, taste and take in the aromas. I try to lead with kindness, and I don’t mind repeating myself.

I’m not always successful. I sometimes get impatient sharing a space that was once mine alone. And there’s the frustration of needing to ask for help while giving guidance. It’s odd to lead my personal kitchen brigade without the ability to show the best method for folding butter into dough for delicately thin layers.

I’ve tried to focus on the skills I still have and consign to the future the ones I must relearn using my new prosthetic limbs, like how to whisk a bowl of cream to milky soft peaks.

Nearly two years into my recovery, I finally got around to adapting the recipe for the brown butter cornmeal cake. It’s inspired by a classic French brown butter financier, substituting coarse ground cornmeal for the traditional almond flour, while turbinado sugar gently sweetens the cake and gives it a crunchy exterior.

I added my own touch: cherries for their tartness and fleshy texture (fresh or frozen; sour, Bing or dark sweet cherries will work). Here it is:

A golden brown, round cake, with three slices cut out and set askew.
Brown butter cornmeal cake. Julia Gartland for The New York Times

Revival

In a life spent traversing long distances, my journey back to the kitchen has been one of the greatest distances I’ve ever traveled. Cooking was once my time to reflect on the past and the future as I stood stirring or watching something come together in a pan, planning articles, recipes, cookbooks.

Now so much of my life is spent leaning on others, and making food is no longer a solitary and meditative act. It calls to mind a phrase in Yoruba, “A jọ ṣé pọ̀,” meaning, “We do it together” or “We collaborate.” This has become a refrain that I recite while I’m writing recipes, sharing meals with loved ones and performing the once simple tasks of everyday life.

I’m still very much in recovery. I’ve had my prosthetic hands for several months; I’m now learning to walk on my new legs. But I relish the curative effects — physiologically and psychologically — of food. Sometimes it’s a Nigerian dish that, for a brief moment, sends me back to the kitchen of my childhood home in Lagos. Even a pedestrian dish like fried calamari or shrimp scampi can excite my will to live. I find myself marveling at how little it takes to feel alive.

THE LATEST NEWS

Immigration

A small child wearing a blue hat with white bunny ears stands beside a vehicle.
Liam Conejo Ramos  Columbia Heights Public Schools, via Agence France-Presse

Politics

International

A street filled with debris. A woman in a long black dress walks in the background on the lefthand side.
In Gaza yesterday. Saher Alghorra for The New York Times

War in Ukraine

  • A second round of trilateral talks to end the war has been postponed after a surprise meeting between Russian and U.S. negotiators in Florida.
  • The price of Russian oil has plummeted, but there is little sign that economic strains will cause Vladimir Putin to change his calculations on the war.

Health

THE SUNDAY DEBATE

Bill Belichick was not elected to the Pro Football Hall of Fame this year, his first time on the ballot. Should he have been?

Yes. The decision is an embarrassment that damages the legitimacy of the Pro Football Hall of Fame. “If winning six Super Bowls as New England Patriots coach — more than any coach in history — doesn’t ensure induction, then nothing will,” Jarrett Bell writes for USA Today.

No. Belichick was involved in unforgettable scandals with the New England Patriots, and his personal life may have also skewed some votes. “Belichick can still be recognized as an all-time great, even with a little wait,” Vinnie Iyer writes for The Sporting News.

FROM OPINION

More than 1,700 children have been placed in custody since immigrant family detention centers reopened. It’s past time for more humane alternatives, writes Elora Mukherjee.

Here is a column by Nicholas Kristof on the two Americas that Alex Pretti and Gregory Bovino represent.

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MORNING READS

A portrait of a woman with short silver hair, a black shirt and glasses. She looks directly back at the viewer.
Milissa Kaufman, a psychiatrist and researcher. Haruka Sakaguchi for The New York Times

Voice inside my head: Spurred by her own experiences with one of psychiatry’s most misunderstood diagnoses, Milissa Kaufman devoted her professional life to studying it.

Model S: Tesla said it would stop making the car. But experts regard it as one of the most important vehicles in the history of the auto industry.

Stay gold: New musicals on Broadway keep losing money. Except one: “The Outsiders,” an adaptation of S.E. Hinton’s 1967 coming-of-age novel, is the first to become profitable since 2022.

High fashion: In the video below, Vanessa Friedman, our chief fashion critic, breaks down the best looks from the couture week in Paris. Click to watch.

A short video showing scenes from couture week in Paris.
The New York Times

SPORTS

Tennis: Carlos Alcaraz beat Novak Djokovic in the Australian Open final to complete a career Grand Slam.

Boxing: After the heavyweight Jarrell Miller started losing his hairpiece during a fight last night at Madison Square Garden, he pulled it off and threw it into the crowd.

BOOK OF THE WEEK

The book cover of “Football,” by Chuck Klosterman.

“Football,” by Chuck Klosterman: Just in time for Super Bowl season, here’s a best-selling book to get you in the mood. Klosterman, a cultural critic and lifelong fan, parses the game for neophytes and for humans of the future where, he writes, “Football will be described in the same way we currently recall Roman gladiators, an enforced memory that’s mostly wrong.” With humor, self-deprecation and appropriate gravity, he considers why the sport is so popular; how it serves as the ultimate icebreaker among strangers; and whether it’s being unfairly targeted for health risks to players. “Football” is not a polemic, nor is it a love letter. Think of it as a time capsule you don’t need to wait to open, packed with artifacts that are fun to sift through whether you watched “Friday Night Lights” or not.

THE INTERVIEW

A close-up black-and-white photograph of Mayor Jacob Frey of Minneapolis. He has a serious expression on his face.
Mayor Jacob Frey.