How to make working from home work for you

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Issue six

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Illustration: Michael Driver for the Guardian

 

Welcome back to House to Home, a newsletter series bringing a weekly hit of interior design joy to your inbox. In each issue, you’ll get hardworking ideas to make every room in your house sing, whether you’re a city renter or living your cottagecore dreams in the sticks. You’ll also meet the artisans, influencers and eco fans shaping the way we live now, and there are sublime real homes from the Guardian archive to top it all off.

In this week’s newsletter: How to make WFH work for you and style the perfect home office, meet the maker drawing on her Syrian heritage, and some of that aforementioned cottagecore from a cosy no-frills Welsh home. – Lucy Pavia, homes and lifestyle writer

 

Room Service: The office

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As working from home has become more commonplace, the home office (and associated back pain from sitting in places we shouldn’t) has become a bigger deal. Is yours a slice of kitchen table, a spare bedroom, a cupboard or (lucky you) a room full of leather-bound books where you can boom “enterrr” when people knock? Whatever the space, make it a happy and healthy place to work with these expert tips.

 
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1

Go biophilic
Searches for biophilic design have gone through the roof. Aaron Markwell, colour lead at Coat says this is a trend to embrace for the long term. “In office spaces I always follow biophilic design principles,” he says. “When you’re doing something unnatural like working, it’s good to surround yourself with as many natural materials as possible”. That could be a wooden desk, or just a selection of plants. Markwell recommends using a green-based neutral on the walls as “the cones in our eyes relax when we see green.”

Bright colours are great in small amounts but can drain energy if used too liberally, says interior designer Sophie Pringle of Pringle & Pringle. “Long wavelength colours like orange and red are energising, so it’s good to have a pop of them on your desk,” she says.

2

Draw focus with paint
If your office “room” is a desk set into an alcove or corner, try painting this space a different colour to zone it, says interiors expert and author of Home Sweet Rented Home Medina Grillo. Panelling, or a split colour wall – with a darker tone of paint on the lower half – can also be a good way to draw concentration downwards.

3

Don’t mimic the work stationery cupboard
Instead of taking a simply functional approach, give your desk soul by repurposing things you love, whether that’s a pretty old tray to hold papers or a clay pot for pens. “A vintage display cabinet from a shop can look beautiful in a home office. Put fabric behind the glass door fronts to hide all the clutter,” says interior designer Kate Guinness. If your desk is an open table, try skirting it with a curtain to mask unsightly messes.

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4

… but opt for substance over style with the desk and chair
“Having a centrally placed screen level with your eyeline is essential for the alignment of the neck”, says chiropractor Dr Tone Tellefsen Hughes. “An adult head weighs 5kg in an upright position, but if you lean it forward just 15 degrees the pressure on the neck goes up to 12.5kg. Over time, this added weight could cause headaches and neck pain.”

A chair with lumbar support is also essential, but always try before you buy, says Philip Johns of consultancy service Healthy Home Office. “The word ergonomic is overused in office furniture. Ergonomic is not a product, it’s the combination of the user, the task and the equipment, it’s a holistic thing – a chair will only work well if it’s got the right desk and a person who understands it.” Johns cites brands such as Flokk who “have been at the forefront of office seating for a long time”.

An adjustable desk or one which works for your height is also advisable, he says: “Desk height hasn’t changed much in the last 100 years but everyone is about 12cm taller – making your desk just 2cm higher can make a massive difference.”

5

Pull the room together
“A rule of thumb with all schemes,” says interior designer Emma Neame, “is to make sure there is a material that links it together.” In an office, this could be as simple as having identical brown paper box files – rather than random colours – to give the space a calm and uncluttered feel.

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Make your shelves feel bespoke
If you’re renting or can’t afford bespoke joinery, a simple way to make your office shelves look expensive is by sticking rechargeable LED strip lights under them, says Grillo. Neame agrees: “I have a chest of drawers in my office from Ikea that I bought years ago. I changed the knobs to brass ones from Homebase and put strip lights along the back – it looks amazing.”

7

Find natural light
According to one study, office workers exposed to daylight slept better at night and did more physical exercise than those working in windowless offices. “Always try to place your desk so it’s facing a window, or close to natural light”, says Neame. “Just add a voile [sheer fabric] roller blind to the window for those points of the day when the sun is too low or the glare will bug you.”

 
 
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Meet the Maker: Yasmin Hayat

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Using techniques drawn from her Middle Eastern heritage, British-Syrian artist Yasmin Hayat’s work includes exquisite display ceramics and a fabric design collaboration with furniture-makers Soane Britain. Hayat makes all her pigments by hand using natural products, and in 2018 was awarded the Kairos prize by the then-Prince Charles for her paintings, which preserve traditional Arabic practices.

Growing up I … flip-flopped between wanting to be an artist and a vet. I worked at my local veterinary clinic throughout my teens, but struggled with some of the ethics. When I was 19, I was offered an place at Central Saint Martins to study painting – I couldn’t turn it down. But to this day – especially when I get creative blocks – I find myself filling out the application form for the Royal Veterinary College.

My work is inspired by … my Syrian heritage – so much so that I obtained a master’s in geometry and miniature painting, a style inherent to the region – as well as historic Indian, Persian and Arabic paintings.

I learned the most from … courses I took with Art of Islamic Pattern and the Prince’s Foundation School of Traditional Arts. While Syria shaped my artistic taste, these institutions gave me the skills to understand and construct geometric patterns.

At the moment I’m drawn to … a chapter in 1,001 Arabian Nights. On night 496, a whale appears. This whale – which some call Bahamut – has the sole task of carrying the worlds (earth and other multiverses) upon his back. He is vast and lonely. He appears cross-culturally, and is found in texts and images across the globe. This legend has inspired a body of work for my upcoming solo show.

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A highlight of my career so far … has been working with Lulu Lytle of Soane Britain on her Egyptomania collection.

I would still love to … produce a ceramic dinnerware range. The Aga Khan commissioned me to make a series of display ceramics but I’d love to produce a more functional range that can be used as tableware.

In my own home … I have an antique Syrian, mother-of-pearl, inlaid table that I was gifted when I married. It is a marvel. I have ceramics from Egypt and Japan, textiles from Tanzania, Nigeria and South America, out of print books which I love to collect, and artwork from friends I admire.

The hardest thing about my job … is that there are busy periods – bursts of intense interest – followed by a lull in activity. When my calendar is overflowing, I feel confident and content. When there is a lull, I suffer a great deal from impostor syndrome.