Race/Related:
A fateful decision 100 years ago created parallel lives. How does a family broken by racism heal?
Race/Related
May 22, 2026

It was a fall day in Chicago, and the former National correspondent Susan Saulny had arranged to talk to three women about something that, in the best-case scenario, would be uncomfortable or, at worst, combustible.

The three women were Midwestern and white, and Saulny is Southern and Black. She intended to tell them that their grandfather had been with hers in the 1910s as children at the Lafon Orphan Asylum for Colored Boys, a bygone institution in New Orleans. They were brothers: George and Edward DeGrange. And they were Black.

The two young men faced a bleak existence together until one day in the early 1920s, when Edward boarded a train to Chicago. Upon arrival, he presented himself as white. Edward eventually married and had children in Chicago — white children — who had children.

George, too dark to pass even if he had wanted to, chose to stay behind. He eventually married and had children in New Orleans — Black children — who had children.

An image of Laura Oswald and Christine DeGrange standing side-by-side, as seen through a window, with a reflection of Susan Saulny.

Camille Farrah Lenain for The New York Times

Read more on the fateful decision that created parallel American lives, racial worlds apart.

EDITORS’ PICKS

A two-story white house sits on a gravel road.

A 160-acre development in Arkansas requires members to be white and heterosexual. A new lawsuit is testing those policies against fair housing rules.

An image of a man in a dark suit relaxing on a sofa, his face a blur, his arms expansively outstretched.

A landmark show returns to the Studio Museum in New York, looking for Blackness in a personal way.

A portrait of the conductor Elim Chan. Smiling, she has her head leaning on her hand, the other on the back of a sofa in front of her. She wears a checked sweater over a black shirt.

Elim Chan, a Hong Kong-born conductor, has been appointed the music director of the San Francisco Symphony, taking over one of the nation’s top orchestra jobs in a field that has historically been dominated by men.

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