Movies Update: Has Nintendo solved its princess problem?
Plus, “The Drama” and that plot twist.
Movies Update
April 3, 2026

Hi, movie fans!

“The Super Mario Galaxy Movie” is taking over theaters this weekend (kudos to the headline writer on the movie critic Alissa Wilkinson’s review: “It’s-a Meh”), and my colleague Zachary Small has a fascinating look at Nintendo’s princess problem.

The Japanese gaming giant is going head-to-head with Disney in many respects. But the American studio has long addressed concerns about the depiction of female characters in its animated films, and Nintendo had some catching up to do. “Enter, on a shooting star, Rosalina,” Small writes, referring to a princess introduced in a 2007 game who’s now a key figure in the new movie.

The film is expected to rake in about $350 million worldwide at the box office this weekend, so Nintendo will be just fine, complex female characters or not. But it’s an interesting development for the franchise and worth keeping an eye on.

Also worth keeping an eye on this weekend is “The Drama,” the rom-com-of-sorts starring Zendaya and Robert Pattinson as a couple dealing with a huge secret on their way to the altar. I won’t spoil it but the chief film critic Manohla Dargis was not won over, writing in her review that the stars’ “beauty and natural charisma go a long way toward selling all kinds of nonsense. Their charm does a great deal of work here; it’s also the most believable thing in the movie.”

Whatever you end up watching, enjoy the movies!

CRITICS’ PICKS

The back of a head, illuminated with yellow light, in a crowd.

Ink Films

Critic’s Pick

‘DJ Ahmet’ Review: Finding Hidden Music in the Forest

After a young shepherd in North Macedonia finds a dance party in the woods, his life changes.

By Chris Azzopardi

At a rooftop party, a woman drinks champagne as people celebrate around her. There are blue-and-white streamers and Israeli flags around them.

Kino Lorber

Critic’s Pick

‘Yes’ Review: From Israel, an Uncomfortable Existential Howl

Nadav Lapid’s scathing tone and accelerated rhythms lead this movie about a married couple who ingratiate themselves with the country’s power elite.

By Manohla Dargis

MOVIE REVIEWS

Two college roommates sit on a sofa in their dorm room. Between them is a pink sea creature with large white eyes.

Hulu/Disney

‘Pizza Movie’ Review: Dude, Where’s My Pie?

After taking psychedelics, college roommates, Jack (Gaten Matarazzo) and Montgomery (Sean Giambrone), experience unique side effects.

By Calum Marsh

In a room crowded with artwork, a man has a hand on a small wooden cathedral with wooden demons below.

Scott Ruderman

Documentary Lens

‘Jimmy & the Demons’ Captures an Artist at Work on His Grand Finale

The impish but thoughtful James Grashow, his sculpture and his long marriage are the subjects of Cindy Meehl’s film.

By Alissa Wilkinson

A woman and a man look at objects on a board.

Guillermo Garza /Desvia/Dekanalog

‘The Blue Trail’ Review: A Drifting Journey Into Freedom

In an imaginary Brazil, where older people are forcibly removed from society, a resolute 77-year-old seeks her independence in the Amazon.

By Manohla Dargis

A cyclist wearing a helmet and has tag on her bike with the number 542 rides on a road, focused and determined.

Netflix

‘The Truth and Tragedy of Moriah Wilson’ Review: Behind a Cyclist’s Death

A crime documentary on the murder of a professional athlete leans into exploitation.

By Ben Kenigsberg

In a black and white image, a young man with tousled hair and a button-down shirt looks thoughtful as he gazes into the distance by the seaside.

Music Box Films

‘The Stranger’ Review: An Unexamined Life

A man of indifference becomes a killer in this adaptation of a 1942 Albert Camus novel.

By Jeannette Catsoulis

A smiling young woman inclines her head slightly toward the little boy seated beside her as golden sunlight from a window dapples the scene.

Film Movement

‘Living the Land’ Review: Rural China in Transition

This drama follows a boy of 10, left in the care of relatives when his parents are lured to the city by the prospect of jobs created by a tech revolution.

By Beatrice Loayza

A man wearing a black outfit in powdered wig tied with a black ribbon stands on a ledge and addresses a crowd below.

Sight & Sound/Roadside Attractions

‘A Great Awakening’ Review: An Unlikely Founding Friendship

This film tracks the friendship of Benjamin Franklin and the Rev. George Whitefield, who brought a Protestant revival to the American colonies.

By Glenn Kenny

NEWS & FEATURES

The portraits of two people side by side, a man and a woman.

Seth Wenig/Associated Press

Blake Lively’s Retaliation Case Heads to Trial Without Harassment Claims

A federal judge tossed the actress’s sexual harassment claims against Justin Baldoni in a split decision that sets the stage for a contentious trial.

By Julia Jacobs

An illustration rendered in bright colors and geometric shapes shows a woman’s face. Three hands hover around her head, each holding a magnifying glass over areas of her face. Under each lens is an plastic surgery procedure she is imagined to have had. We see a needle entering her forehead, surgical marks drawn around her eye, an a needle being inserted into her lips.

Kissi Ussuki

Critic’s Notebook

When Stars’ Plastic Surgery Is Played for Your Entertainment

On TikTok and Instagram, content creators play detective, trying to figure out what work has been done. But they’re really just critiquing women’s looks.

By Esther Zuckerman

A tight shot shows a woman with her bare arms raised high and a man in a sport coat and red flower with one arm outstretched.

Kino Lorber

His Film Is Intended to Provoke Both Supporters and Opponents of Israel

The director Nadav Lapid uses his work to confront his discomfort with nationalism in his home country, never more so than in “Yes.”

By Esther Zuckerman

A black-and-white film still of two men on a fire escape. One in pinching the other’s cheek.

Ken Jacobs/The Museum of Modern Art, New York

Rewind

‘Star Spangled to Death’: Ken Jacobs’s History of the United States

At the Museum of Modern Art through April 7, audiences can enter and exit a screening of the 6½-hour film, which Jacobs began in the 1950s.

By J. Hoberman

A close-up of a smartphone with a finger pointing to text from Instagram about its Teen Accounts.

Loren Elliott for The New York Times

How Instagram’s ‘PG-13’ Branding for Teens Unraveled

The social media giant, under legal pressure from the Motion Picture Association, has retreated from its use of the movie rating in its marketing.

By Julia Jacobs and Callie Holtermann

STREAMING RECOMMENDATIONS