Hi Pawel,

DaVinci Resolve is incredibly powerful — but getting cinematic color often turns into complex node trees, LUT stacks, and slow, fragile workflows.

I just shared a video showing a much simpler approach: a clean, ACES-based workflow that gets you to cinematic color in Resolve in a single node.

No exporting LUTs.
No IDTs or ODTs to manage.
No over-engineering.

👉 Watch the Resolve walkthrough here:
https://www.youtube.com/watch?v=yiD_fhsYBFM

If your grades look technically correct but still don’t feel cinematic, this video connects the missing dots.

Best,
Denver