Hey Pawel,

If you’ve tried CineDream in Resolve, you probably noticed something right away:

Grading doesn’t feel like wrestling with node trees anymore.

That’s because you’re no longer building pipelines just to make LUTs behave.

Instead of stacking nodes and guessing, you make color changes directly on the image itself — which makes grading feel faster and more intuitive.

You’re grading what you see, not managing a workflow.

CineDream also starts your footage in the right place by converting Log into a film-like color space automatically…

…so you’re not fighting the image before you even begin.

And because CineDream lets you adjust brightness and color separately, you don’t have to compromise anymore:

Keep the color you like
Dial back the contrast that feels too heavy
Or do the opposite — without breaking the look

That’s why:

Skin tones stay cleaner
Looks hold together shot-to-shot
Grading feels controlled instead of chaotic