Hey Pawel,

If you grade in DaVinci Resolve, this probably sounds familiar:

A LUT looks perfect on one clip… then completely wrong on the next.

So you:

add more nodes
stack CSTs
tweak IDTs and ODTs

Resolve is incredibly powerful — but when all you want is cinematic color, the workflow can feel like overkill.

Here’s the real issue:

LUTs are static.

They don’t adapt to changes in exposure, lighting, or camera.

That’s exactly why I built CineDream.

With CineDream:

You choose your camera once
Your footage converts into a film-like color space automatically
You grade inside a single, clean node

No LUT stacking. No node tree gymnastics.