By Craig Anderton. Craig investigates a growing subculture that favors live band performances, creative music and arrangements by band members instead of outside producers, and musical styles rooted in rock, indie and orchestral pop—but it's not in North America.

Nancy Nugent Title, Supervising Sound Editor and Sound Designer; John Marquis, Re-Recording Mixer, Supervising Sound Editor and Sound Designer; Andy Nelson, Re-Recording Mixer; Simon Hayes, Production Sound Mixer; and Jack Dolman, Supervising Music Editor discuss their work on Wicked: For Good!

By Clive Young. Buzz Me In is definitely the most buzzed-about pro-audio book of the year...and here's why.

The Latin Grammy Awards, held in Las Vegas, made copious use of Shure wireless and IEM offerings.

TNDV recently headed south of the border with a REMI flypack and camera jib for the company’s first live-to-air project outside the U.S.

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By Sarah Jones. The amazing story of how a Hollywood Hills house party turned a Stevie Wonder loop into one of hip hop’s biggest hits.