Movies Update: A secret screening at the New York Film Festival
Plus, four movies to watch this weekend
Movies Update
October 10, 2025

Hi, movie fans!

The email showed up in our inboxes on Saturday and the speculation soon followed: The New York Film Festival had added a secret screening. What could it be? Most educated guesses landed on “Marty Supreme.” Good thing they were right: The packed crowd at Alice Tully Hall was primed for Josh Safdie’s first solo outing — a sports drama (loosely speaking) starring Timothée Chalamet as an obsessed pingpong champion in postwar New York. The reaction in the auditorium was overwhelmingly positive, but I don’t want to spoil anything. I’ll just say this is going to be a fun one to cover when it’s released in December.

What else is going on in the film world? Taylor Swift unveiled a movie (also loosely speaking), “The Official Release Party of a Showgirl,” that was the undisputed box office champ over the weekend. That meant slim pickings for “The Smashing Machine,” a sports drama by the other Safdie brother, Benny. But I wouldn’t count out that film, which has Oscar prospects, especially for its lead, Dwayne Johnson.

As for this weekend, our critics are recommending “A House of Dynamite,” a nail-biter from Kathryn Bigelow about an unidentified missile in American airspace. Our chief critic Manohla Dargis calls it a “propulsive thriller.” Jeannette Catsoulis writes that the drama “If I Had Legs I’d Kick You,” from Mary Bronstein, is “a howl of maternal desperation spiked with jagged humor.” It stars Rose Byrne delivering a “remarkable performance” as a stressed-out mother with a mysteriously ill daughter.

On the nonfiction front, Ben Kenigsberg has strong praise for “Israel Palestine on Swedish Television 1958-1989,” writing that “it’s great TV and an excellent documentary.” Alissa Wilkinson isn’t as high on “John Candy: I Like Me,” which she describes as “a standard-issue celebrity documentary.” But she adds that it’s worth catching for the archival footage we might never get to see otherwise.

Whatever you decide to watch, enjoy the movies!

CRITICS’ PICKS

A woman lies on a bed under red lighting, resting her head on her hand and looking tired or contemplative. She hugs a large white stuffed animal and is partially covered by a patterned blanket.

Logan White/A24

Critic’s Pick

‘If I Had Legs I’d Kick You’ Review: Maternal Duress

Rose Byrne is magnificent as an overwhelmed mother in this wrenching, spiky drama.

By Jeannette Catsoulis

A man in a keffiyeh and an army-green outfit smiles and looks off camera.

SVT/Icarus Films

Critic’s Pick

Review: How Swedish Television Covered the Middle East

Goran Hugo Olsson’s archival documentary “Israel Palestine on Swedish Television 1958-1989” excerpts three decades of public programs.

By Ben Kenigsberg

ANATOMY OF A SCENE

A woman in a biking suit rides a glowing neon-lit motorcycle at night, looking back with a focused and intense expression.

Leah Gallo/Disney Enterprises

Anatomy of a Scene

Watch a Light Cycle Chase in ‘Tron: Ares’

The director Joachim Ronning narrates a sequence from his film featuring Greta Lee, Jodie Turner-Smith and Jared Leto.

By Mekado Murphy

MOVIE REVIEWS

A man in a brown leather jacket leans on a green car, smiling and talking to a woman in a light purple jacket and white T-shirt, who stands with her hands on her hips, also smiling.

Davi Russo/Paramount Pictures

‘Roofman’ Review: Robbing McDonald’s, Stealing Hearts

Channing Tatum plays a spree-robber on the lam in Derek Cianfrance’s movie that can’t decide whether to celebrate his antics or denounce them.

By Natalia Winkelman

A man with a mustache in a black shirt and pants stands beside a woman in a green dress and red scarf. The background is red-toned and appears to be a bar.

Roadside Attractions

‘Kiss of the Spider Woman’ Review: Play Their Favorite Song

Jennifer Lopez comes up just a little short in a movie about the escapist power of musicals.

By Elisabeth Vincentelli

A close-up shows a man in a blue shirt leaning down toward the camera with a half-smile.

Prime Video Amazon Content Services LLC

Documentary Lens

‘John Candy: I Like Me’ and the Challenge of Making a Film About a Nice Guy

More or less a standard-issue celebrity documentary, the movie lets us enjoy archival footage that might otherwise not be seen.

By Alissa Wilkinson

Ozzy Osbourne, wearing black, sits in a chair at home and looks at the camera.

Ozzy Osbourne: No Escape From Now/Paramount+

‘Ozzy: No Escape From Now’ Review: A Metal Legend’s Last Stand

It’s painful to watch Ozzy Osbourne struggle in this documentary, but his efforts to make one final onstage appearance are awe-inspiring.

By Glenn Kenny

A beaming young man flanked by two women with karaoke mics singing to him in a purple- and neon-lighted room.

Devisio Picture

‘Urchin’ Review: The Vicious Cycle and Recycle of Addiction and Hope

Frank Dillane, starring as a recovering addict in London, elevates this character study, Harris Dickinson’s feature directing debut.

By Beatrice Loayza

Keira Knightley, in a blue dress, stands holding the railing of a yacht.

Parisa Taghizadeh/Netflix

‘The Woman in Cabin 10’ Review: When Things Go Splash in the Night

Keira Knightley and Guy Pearce encounter bumpy waters on a yacht in this adaptation of a Ruth Ware thriller.

By Lisa Kennedy

Outdoors, three people smile at a graduation ceremony. One wears a graduation cap and gown, holding a diploma. The woman in the center wears a red patterned dress and the man on the right wears a suit and tie.

Spencer Peck/Affirm Films

‘Soul on Fire’ Review: After Near Death, Rebuilding a Life

This adaptation of an autobiographical book by John O’Leary manages to be affecting despite its overly sentimental moments.

By Sheri Linden

A group of people sit around a table full of fruit and delicacies. Two people stand for a toast.

Kris Dewitte/Doppleganger

‘Mr. K’ Review: ‘The Hotel Is Shrinking!’

Crispin Glover stars as a mild-mannered magician trapped in a twisted hotel in this offbeat, darkly surreal comedy.

By Calum Marsh

NEWS & FEATURES

Article Image

Erik Carter for The New York Times

The Breakout Star of ‘Kiss of the Spider Woman’

“I wanted to tell a story that encompassed the gender spectrum,” said Tonatiuh, who transformed his body to play the queer window dresser Luis Molina.

By Sarah Bahr

A grainy black-and-white image shows old-fashioned townspeople gathered amid wooden structures.

The Film-Makers' Cooperative

An Appraisal

The Strangely Beautiful Realities You Can Discover in a Ken Jacobs Film

The avant-garde director, who died Sunday, changed our ideas of what cinema was and could be while showing us the old, lost New York.

By Manohla Dargis