The Hay Festival has
positioned itself as a global leader in promoting freedom of expression, staging editions in Ukraine, Panama, and, later this month, Dallas, in an effort to target hotspots of political polarization. Candlewick Press has named
Emma Ledbetter, formerly editorial director at Abrams Books for Young Readers, as its first editorial director of picture books. Sometimes,
determination and craft, rather than inspiration, make for the strongest books, children’s author Aimee Lucido argues. With rightsholders awaiting final approval in their
$1.5 billion settlement with Anthropic, the
New York Times talks with Andrea Bartz, one of the case’s named plaintiffs, about how she successfully faced down a tech giant. Also for the
Times, Elisa Gabbert gives a
retrospective on the Best American Poetry series, which editor David Lehman is retiring this year. A school district in central Texas
has come under fire for purging more than 40 books from its curriculum, a decision the district says was based on a new state law, reports Spectrum 1. In
Alta, Tom Zito argues for
the literary value of Ross Macdonald’s novels, whose hard-boiled plotlines belie a “genuine literature of place.” Stephanie Kitchen looks at how Kenyan publishers have
asserted autonomy in a post-colonial landscape. CBS
chats with Sarah Jessica Parker about her decision to turn from TV to book publishing with her SJP imprint and book club. The
Cut asks authors, editors, and other creatives
how they find the time to read books. And
Print considers the
legacy of artist William Morris in book design.