Theater Update: The best theater moments of 2025 (so far)
“Evita”; Lynne Meadow steps down; “A Wrinkle in Time”
Theater Update
July 2, 2025

Dear Theater Fans,

Audra McDonald’s slaying of “Rose’s Turn” at the Tonys. David Greenspan’s shape-shifty virtuosity in Jordan Tannahill’s new play. Bella Coppola’s surprise bang at the end of Act I of “Smash.” Those are among the best moments in theater this year — so far — according to our chief theater critic, Jesse Green. Read his full list of picks here.

Though filled with its own wonders, including Heather Christian’s “exhaustingly beautiful score,” the stage adaptation of Madeleine L’Engle’s sci-fi novel “A Wrinkle in Time” is otherwise “just exhausting,” Jesse wrote in his review of the Arena Stage production in Washington, D.C. Over in the West End, Alex Marshall reported on the buzzy revival of “Evita,” in which Rachel Zegler sings “Don’t Cry for Me Argentina” from the balcony of the London Palladium to the crowds on the streets below (we have video of the performance too). And, in his review of the show, Houman Barekat calls Zegler a “delight in the title role.”

Back in New York, two titans of nonprofit theater are taking their bows. Michael Paulson broke the news last week that Lynne Meadow — one of the most prolific and successful figures in the American theater — plans to step down as the artistic director of Manhattan Theater Club, a role she has held since 1972. “I’m not tired, and I’m not bored, and I’m not depressed, but I’m excited for Chapter 2,” she told Michael. This week André Bishop reflected on his tenure at Lincoln Center Theater after running it for 33 years, producing hundreds of productions and winning 15 Tony Awards. In an exit interview with Michael, he said he will miss “the daily life that goes on in these institutions — first days of rehearsal, closing days of plays, chance encounters in hallways.”

Michael also reported that Taraji P. Henson and Cedric the Entertainer will star on Broadway next spring in a revival of August Wilson’s “Joe Turner’s Come and Gone,” and talked to the producer Jordan Roth about transitions and reinventions as he moves to a “different stage, combining his love of fashion, his hunger to perform, and his taste for storytelling.” (You get to glimpse it, too, in Landon Nordeman’s beautiful photography and videos.)

Note: I’m taking some time off, but Theater Update will be in great hands. My colleague Nancy Coleman will keep you in the loop about all things theater over the next two weeks. (Read her reporting on the Tonys here and here.)

Please reach out to me at theaterfeedback@nytimes.com with suggestions for stories or to offer your thoughts about our coverage. And urge your friends to subscribe to this newsletter.

Have a wonderful week,
Nicole Herrington
Theater Editor

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NEWS AND FEATURES

A man, smiling, sits on a chair in front of Lincoln Center. There is greenery in the background.

Dolly Faibyshev for The New York Times

Exit Interview

After Hundreds of Shows and 15 Tonys, André Bishop Takes a Bow

He is moving on from 33 years at Lincoln Center Theater and will head to Rome to focus on his memoirs.

By Michael Paulson

Jordan Roth stands tall in a very long white gown. He is elevated high on a hidden platform in an industrial building.

A Broadway Big Shot Is Now Reinventing Himself

Jordan Roth owned five Broadway theaters and produced a string of hits. Now he’s pivoting to performance.

By Michael Paulson and Landon Nordeman

Portraits of Taraji P. Henson and Cedric the Entertainer, side by side.

From left: Jamie McCarthy/Getty Images; Richard Shotwell/Invision, via Associated Press

Taraji P. Henson to Make Broadway Debut in August Wilson Play

The actress will star opposite Cedric the Entertainer in a revival of “Joe Turner’s Come and Gone” next spring.

By Michael Paulson

A woman in a pink gown holds up a Tony Award statuette on a stage full of people.

Sara Krulwich/The New York Times

For 53 Years, She Led a New York Theater. Now She’s Stepping Down.

Lynne Meadow was just 25 when she took a job running the Off Off Broadway Manhattan Theater Club. Now the nonprofit is a major player on and off Broadway.

By Michael Paulson

‘EVITA’ IN LONDON

A woman wearing a black bra and hot pants sings into a microphone surrounded by gyrating dancers.

Marc Brenner

Theater Review

Rachel Zegler Delights in an ‘Evita’ for the Masses

The actress is making her West End debut in Jamie Lloyd’s latest take on an Andrew Lloyd Webber musical.

By Houman Barekat

Rachel Zegler raises her left arm and looks upward while singing on a balcony.

Jeremie Souteyrat for The New York Times

Reporter’s Notebook

The West End’s Hottest Seats: The Piles of Trash Outside ‘Evita’

Crowds are converging outside the London Palladium to watch Rachel Zegler sing “Don’t Cry for Me Argentina” from a balcony — while paying theatergoers inside see it on a screen.

By Alex Marshall

FROM OUR CRITICS

A girl, wrapped in a colorful blanket, sits opposite a man in a blue cardigan onstage.

T Charles Erickson

Review: A New ‘Wrinkle in Time’ Needs to Iron Out Some Problems

Despite a gorgeous score and some fine performances, the musical adaptation of the Madeleine L’Engle classic gets trapped in a time loop.

By Jesse Green

Four actors in prep school ties and jackets.

Sara Krulwich/The New York Times

‘Trophy Boys’ Review: The Nerds’ Case Against Feminism

In an Off Broadway play, young men on a high school debate team prepare to argue an uncomfortable case.

By Jesse Green

A woman in dark makeup and a jean jacket looks forlorn next to a man in a red flannel sitting on a bar.

Valerie Terranova

Critic’s Notebook

In Three Off Broadway Shows, They’re Coming Out and Out and Out

Several recent productions have featured a range of L.G.B.T.Q. stories, from strained familial relationships to self-discovery via Disney cosplay.